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Scenes from the painted wood

by Astrid 

Posted: 18 September 2005
Word Count: 616
Summary: Chapter from a novel (abridged version) - the main character has loss of memory.


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The taxi veered into the street, which was desolate. Astrid peered out of the taxi window, trying to locate a sense of life amongst the debris of the street. An old pram lay against the gutter. It was midnight. The row of shops was silent. There was only one streetlight working. The row of steel-shuttered shops looked like a great train, come to rest for the night, sleeping, or ground to a halt forever. There was no visible door to the façade. She got out of the taxi and prodded the shutter with her foot. It didn’t move.

“Is there anybody there?” she said, as she tried again to rattle the shutter. The driver showed little interest, looking straight ahead and smoking his joint. A moth flickered under the pool of light. Perhaps he had gone, or changed his mind, she thought.

“Is there anybody there?” she said again, with less certainty, giving the shutter a kick. The driver looked at her and smiled, his smile a scrawl across his face. There was no other sound but for a cicada chirping in triplets, evenly.

The next morning Astrid decided to take a bus out to the Corcovado. The bus ride, though only half an hour, had rendered her lifeless because of the heat. She had to recuperate by a fountain. She could see the statue from where she was sitting. The face and hands were French, she had read in her guidebook, but the rest she supposed was local. As she walked towards it through the crowds, keeping it as a point of navigation, a man was also looking upon the outstretched hands of Christ the Redeemer. He had his back to her as Astrid wandered near. She stopped behind him and her eyes travelled from his back to the crown of his head. Pale skin under glistening hair like dark noodles. She wanted to move her fingers amongst it, among the curls. He twitched slightly, moved away and the sun flashed from beyond the statue, into her eyes. She could not see for a moment. She looked again at the statue, which looked like an angel, about to dive into the crowd.

When Astrid returned to the hostel, there was a note for her that had been half pushed
under her door. It read ‘I have arranged a walk for you. Call me. Marcus.’

The beauty of the language was made lovelier by her inability to speak it. Astrid just listened as they picked their way through the red wood and splurges of green, blacks and chewy browns, the short-toed man talking all the while, explaining this or that tree to Marcus and herself.

Hot even in the shade, it was impossible to escape the weather, or how it made her feel. Astrid wished for a breeze or a spattering of cold rain or a darker sky. Evening was eight hours away.
“Nothing can prepare you for such heat. Except maybe sleeping in an oven all day” she said. Marcus put his arm around her shoulder but she shrugged him away.
“Too hot for touch” she said. “You’ll make me hotter and I’ll die.”
“I’ll die if I can’t touch you.” His hair was silver as a tankard.
“Later perhaps.” She smiled, but not at him.

Astrid thought about how it might be. He would sit close to her, look sideways at her. With his hand, he would gently turn her to face him, his face already close, his lips already parted, prepared. She might avoid his kiss, but let him hold her, all night maybe, closer in sleep than out of it, avoiding the mysterious signals that are the yes or no to love.









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Comments by other Members



Cornelia at 12:44 on 18 September 2005  Report this post
This is a very promising and accomplished beginning. The sense of heat and mystery was very well conveyed, I thought. I was put off at first by too many short sentences in the first paragraph, but then the style became more fluid. I am intrigued by what it is the heroine is looking for, or why she thinks she will find it here, and the nature of her relationship with the man. She seems to think she is in control of that, but I am not so sure. I loved the smile like a scrawl and the noodle hair of the statue,also the many details that conveyed the sense of heat and place.

Looking forward to more,
Sheila

Astrid at 17:46 on 18 September 2005  Report this post
Thanks so much for your feedback Sheila. It's of real value...

A


Zigeroon at 15:02 on 19 September 2005  Report this post
Astrid

The short sentences also threw me at first but the flow comes through as the story moves on. It's an intriguing beginning.

It might be good to look at the jumps between scenes, for example the reading of the note to the walk, as they seem a little too quick and jar slightly.

Look forward to the next section.


Andrew

Vixen at 16:26 on 19 September 2005  Report this post
I think the first paragraph did a great job of producing a visual image using words. Like the other two commentators, I thought the sentences seemed a bit choppy and short.

With something this short, all I can really comment on is the writing - I thought it read well, good use imagery and description with a purpose. A couple of things I really liked:

"She smiled, but not at him."

"The row of steel-shuttered shops looked like a great train, come to rest for the night, sleeping, or ground to a halt forever."

Astrid at 07:59 on 20 September 2005  Report this post
Thanks for the feedback - I'll revisit the shorter sentences and quick scene changes. Look forward to reading the groups' works on this site...

A x

Becca at 12:31 on 21 September 2005  Report this post
Hi Astrid,
This is a languid and moody piece, very sensual. The atmosphere built up beautifully in the 'Next morning' para, and the mystery as well. It's a story that hangs in limbo, but it's all the more charming for that. I too, liked the train/shuttered shop connection. What is the POV, is it omnipiscent, or is it her's in the third person? If it's the second position, could she have seen the driver smiling at her, or ignoring her while she was kicking the door. Also, how does this first part tie in with the daytime scenes?
'triplets' and 'short-toed' was puzzling, and if this isn't really rude of me, which it isn't meant to be, is your first language another one than the one you're writing in, -- or maybe you have a really original turn of phrase.
One thing really to watch out for though is using the same word in quick sucession. I noticed this much more in the first half where you have 'street'X 2, 'row' X 2, and 'shutter' x 2.

Lovely story.
Becca.

Becca at 12:32 on 21 September 2005  Report this post
Sorry Astrid,
I didn't keep it in mind that this was a part of a novel, so forget limbo.
Becca.

Astrid at 18:34 on 21 September 2005  Report this post
Becca,

your comments are most welcome. Thank you. It is an omniscient narrator.

Firstly, I think cicadas chirp in triplets, but if they don't I don't mind because I like the word and the idea of it ;-) The word 'evenly' itself is a perfectly tripleted word - it has three even parts to it. I like to find such things and use them occasionally...

Short-toed is a more obscure reference. I will leave that for now because it might ruin what I'm trying to do so I will post more work that may or may not explain the descriptions. It's part of a theme. I hope that doesn't irritate you but I want to guage how people read the work - it's actually not that special a thing I'm trying to do!

Cheers very much,

A x

Becca at 20:25 on 21 September 2005  Report this post
Well, it's very arresting so far, I look forward to reading more.
Becca.

Joel at 19:26 on 22 September 2005  Report this post
I thought this was very atmospheric, with some nice descriptive prose and metaphors.

I particulalry liked:

steel-shuttered shops looked like a great train

which looked like an angel, about to dive into the crowd.

It has a mysterious feel to it, poetic and almost esoteric in places. A lot of questions are raised, which provoke the curiousity, however, sometimes I felt a little lost.

The transition after Astrid is sitting next to the statue was too abrupt for me.

There is a lot going on, but by the end of the chapter I didnt really feel any the wiser as to what. As far as I can make out it´s about a woman in a foreign country looking for someone, while seeming falling in love with someone else.

Perhaps it would be an idea to post the entire chapter?

Good luck with it.

Cheers,

Joel

chris2 at 15:39 on 24 September 2005  Report this post
Astrid - I found this interesting and readable. Like others I was a bit puzzled by some points, but this is not a bad thing if it encourages the reader to continue in order to resolve the questions.


One or two editing points:
First two sentences: taxi + street and taxi + street.

'explaining this or that tree to Marcus and herself'. I'd suggest 'to Marcus and her'. Only Astrid could do something to 'herself'.

It will be interesting to read some more.

Chris





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