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The Sacred Thread

by Meena 

Posted: 21 August 2003
Word Count: 2757
Summary: A short story describing the power of thread to overcome supernatural happenings.


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The Sacred Thread

Yet another Saturday and start of yet another boring weekend thought Pranali as she walked the upstairs passage and down the stairs. As she descended the stairs she saw a pile of letters just shoved through the letterbox.

Pranali picked up the pile of post and cursed under her breath as she went through the envelopes. She thought exasperatedly more freebies, more marketing forms, more bills but nothing yet from the colleges she had applied to do ‘A’ levels. But than her eyes caught on a maroon coloured envelope with gold lettering and an emblemed image of the Hindu God Ganesha – the remover of all obstacles and giver of abundant luck and prosperity. OH! Goody another wedding card Pranali thought excitedly. Without reading the exquisite gold lettering on the envelope she rushed into the lounge and announced to her mum

‘Hey mum, we have another wedding to go to and another present to buy.’

Shoving the pile of letters with the invitation envelope on top she danced and twirled saying excitedly

‘I will choose the present and I want to buy a new outfit for the occasion. A new lengha suit in pastel colours, light blue or lilac I think with matching jewellery. I have saved some money from my evening job at Boots.’

Pranali loved going to weddings, which usually meant shopping, dance, music and masti. In fact she quite fancied herself as a look alike of one of the Bollywood actress
called Priety Zinta. She had the same deep dimples in her cheeks and round fair skinned face. Yes, she did resemble her a bit and with careful makeup and dressing she would look her duplicate. It was show off time again she dreamed when her mum interrupted her thoughts stating

‘It’s not a wedding card’. With a disappointed look on her face Pranali exclaimed

‘The card looks just like a wedding card. What is it than?’

Pranali’s mum explained

‘It’s an invite to the Upanayanam ceremony for your eleven year old nephew Kunal in London.’

Pranali looked confusingly at her mum who smiled and explained further

‘Look at the envelope, see it looks just like a wedding invitation but the words and images are different. Instead of a wedding related image like say two wedding rings or a ‘doli’ there is a little boy as an image who is wearing a sacred thread round his chest with a beggar’s bag – this is the sign for an Upanayanam ceremony.’

Pranali at this point was beginning to lose all her initial excitement because she had never been to an Upanayanam ceremony let alone seen a card or even heard about it before. She did not know what this was all about. Sounding a bit dejected Pranali questioned her mum

‘OK. What is an Upanayanam ceremony mum? We have never been to one before and I have never heard of this either. I mean we have usually been to weddings, anniversaries, engagements and parties but not to an UPANAYANAM.’

Now, it was Pranali’s mum who sounded all excited as she tried to define and inform what an Upanayanam ceremony was

‘Hindus live their life through stages or the rites of passage as they are called. You have done the rites of passage in Religious studies at school haven’t you?’

Pranali replied ‘I did not do Hinduism as my special project mum as I thought I am Hindu and I know most things about Hinduism so I did Jainism remember.’

‘All right, in short there are four main stages of life each having various samskars or rites which are birth, adolescence, marriage and death. The Upanayanam comes at the adolescence stage when a child starts serious studying. Upanayanam ceremony is like a wedding except there is no bride but a sacred thread is given along with the Goddess Gayatri’s mantra, which the receiver has to recite each day for the rest of their lives. This gives the receiver protection and guidance in life. The thread is always given to a boy and not a girl. At the boy stage the sacred thread has 3 strands. When the boy grows into a man and gets married he wears 6 strands. The other 3 are for the protection of his wife and family.’

‘Phew! What a complicated and expensive ceremony just to get a thread! I mean what’s the point? We live in the 21st century and things have changed.’ Pranali asked puzzled.

‘Yes, things have changed but we still need food to eat, clothes to wear, air to breathe, shelter to live. These things have not changed from the beginning of time. In the same way for spiritual growth for Hindus it is every parents duty to perform this rite. It can be an expensive one as in Kunal’s case or a simple one depending on your affordability.’ Pranali’s mum elaborated.

‘I still see no point for such a ceremony. I just do not understand how a thread can protect someone from evil or danger.’ Pranali exclaimed

‘Let me tell you about two incidents that have taken place in our large family’ Pranali’s mum responded

‘The first incident occurred to my great grandfather. The story of this incident has been passed down in the family and has been written down as part of the family history from my mother’s side. The incident took place two centuries ago in India at a time when modern travel was not available and people travelled from village to village or towns by foot or a wooden cart driven by a bull. My great grandfather was a priest who had been initiated with the sacred thread ceremony. He was a very handsome young man; married with three children at the time this incident took place. He was often called away to other villages to perform religious rites. On one such occasion he had travelled to a town, which in those times was measured by days. This town was about three days journey from the village he lived in. After grandfather had finished his work he was returning back home to our village. When he got nearer the village he thought he would refresh and rest near the river, which was at the edge of the village before coming home. When he got to the river there was no one around so he got off the cart, set down on the edge of the river and meditated. This little break in his journey relaxed him and he saw that evening was fast being replaced by the darkness of the night. He looked around to see if anyone was nearby. He saw no one, so, grandfather took his kurta off keeping his dhoti and sacred thread on before he went for a dip in the river. After refreshing and taking a bath in the river he came out and just near his cart he could see two very beautiful young women dressed in traditional chanya choli embroidered with mirrors, beads and colourful threads. Now grandfather was indeed surprised and taken a back to see them appear suddenly when no one had been around earlier. He thought perhaps they were travellers in distress but again he saw no tracks or footsteps or anything, which would give him a clue as to which direction they had materialised from. Then suddenly his eye caught at their feet, which were turned backwards. Now in India they say there are many types of supernatural beings i.e. ghosts who live in another realm and it’s a whole different community. Ghosts could take the form of a Jin for instance, which they say, comes from the Muslim community or there are ‘mamas’ who are very tall ghosts all white. Women ghosts are defined as chudels or wentris. Chudels have their feet backwards and wentris have no back but just mass of hanging meat. These types of ghosts are vicious and they always take life by frightening or beating people up.When grandfather saw their feet were backwards he knew they were chudels. At first he thought that perhaps it was the greyness and dullnes of the evening light which was playing tricks with his eyes and sight. However, as he neared the cart he started to recite the Gayatri mantra and took a quick look at their feet sideways so that the two women would not suspect that he knew who they were. He saw that their feet were indeed turned backwards and it was no trick of the evening light. He immediately checked for his sacred thread on his body to make sure it was not broken or damaged. Now the sacred thread has a lot of protection power given to the wearer through the Upanayanam ceremony and the reciting of the Gayatri mantra. If the thread is damaged the wearer’s protection powers are weakened or lost. You can imagine the sacred thread as an electric circuit, now if the circuit is cut or damaged you do not get the power you need do you? So anyway, as grandfather got nearer the cart the women started laughing and flirting. Grandfather was young and scared. He had not come across anything like this in his life but had heard a lot of stories about ghosts and sightings from other travellers in the village. All he knew was that as long he had a perfect sacred thread around him the chudels could not harm him. When grandfather reached his cart he greeted the women as if every thing was normal asking them if they were stranded or needed help. The chudels giggled and laughed telling grandfather that what a pity he had turned out to be a Brahmin, a priest with a sacred thread otherwise a lot of fun they could have had. Then one of the chudels told grandfather to take his sacred thread off and see what fun he was missing by wearing it. Grandfather knew that they were trying to entice him and if he submitted to their charms they would take his soul away. In other words they would kill him. He ignored them and quickly got onto his cart to try to get away from them. As he started his short journey back to the village the chudels got on to the back of the cart, asking grandfather for a lift into the village. Grandfather was too scared to say a word he just nodded and quickly drove home. When he got home he saw the lamps and incense were burning and prayers were being said. He felt safe. He stopped the cart at the front door. Getting off he told the chudels that he had arrived home and they could now find there way in the village. The chudels got off shoving a parcel in grandfathers hand saying it had sugarcane pieces for the children. The chudels walked off giggling mischievously. As soon as they had gone he called to his wife and mother telling them the whole story showing the parcel to them. They opened the parcel to make sure that it indeed contained sugarcane pieces and guess what they found when they opened the parcel?’

‘WHAT mum! Come on finish the story. Was it stones or bones or something?’ Pranali said impatiently.

‘No dear, it contained pieces of meat. And if anyone would have eaten that they would have died instantly from vomiting blood.’ Pranali’s mum answered.

‘Oh! How horrible mum. So the sacred thread has divine powers. How wonderful. Anyway, what happened next?’ Pranali enquired.

‘They called all the elder men from around the houses in the village who went and buried the meat pieces outside the village. They all came home and took baths to purify themselves and prayed to the Gods for protecting grandfather from any harm.’ Pranali’s mum replied going into a deep reflective mood.

'So what is the second incident that took place, mum?’ Pranali reminded her mum about the second incident.

‘Oh! Right, yes the second incident happened to one of your uncles, uncle Vivek. Uncle Vivek who now lives in New Delhi. Before uncle Vivek and his family used to live in Old Delhi in a square compound. Lots of families used to live in this square. In the same square there was a family – Mishra family who had a daughter Nisha who went to the same university as Uncle Vivek. Uncle Vivek and Nisha went to Delhi University to study information technology. They became very good friends. Soon after graduation Uncle Vivek got a very good job within the central government and Nisha got a job with the national railways. Soon after uncle Vivek got engaged to Anjli whom he meet at work. When Nisha found out she confronted Uncle Vivek telling him how could he do it when they had been such good friends and she assumed that he knew she liked him and had fallen in love with him. Uncle Vivek told her they were still friends but he was in love with Anjli. Nisha could not accept this and she committed suicide on the day Uncle Vievk got married. The news of her suicide was kept a secret from Uncle Vivek because it was his big day. However, strange things happened. That night when Uncle Vivek went near Anjli, she pushed him away with such a force that Uncle Vivek was surprised. He saw on her face a change, her eyes almost bulged out and where bloodshot with tears. It was as if Anjli was trying to fight at something within and was in a lot of distress. However, Uncle Vivek thought maybe she was tired and left her alone to recover. The next day same thing happened and it continued for many days and Anjli began to lose her brightness and joyful personality. Uncle Vivek got worried. He told his mum, who began to notice little things like she never went near the temple or did anything religious. One day to check Anjli's sudden avoidance of spirtiuality Vivek and his mum asked her to go to the puja room and bring the food offerings of the prashad. She declined with an abrupt 'NO' and rudeness. So Vivek uncle playfully caught her by the elbow and began to drag her towards the puja room. As they both struggled to get near the room Anjli suddenly shoved Uncle Vivek with such a force that he flew to the other end of the room. She turned to both Uncle Vievk and his mum screaming with a distored face and a change of voice. She told them if they tried to do that again she would harm them badly. Seeing this Vivek Uncle's mum was sure something strange had happened. She was perhaps possessed by some haunting soul. She voiced her concerns to Uncle Vivek who did not believe in Ghosts or strange things. Even then, one day a priest was called to the house who immediately said looking at Anjli that there was another soul inside her body who was controlling her. To get rid of this presence they will need to do a havan a type of exorcism. As soon as they started this Anjli’s eyes went blood red and her whole body began to shake. The priest asked who was inside her. Anjli answered it was Nisha. She had invaded Anjli’s body on the day of the wedding by committing suicide. She was so obsessed with Uncle Vivek that she would not let anyone have him if she could not have him. However she could not really harm Vivek or Anjli as long as Uncle Vivek wore the sacred thread. She was waiting for the day when by mistake or other means Uncle Vivek took his scared thread off and she could suck his and Anjli’s soul away. The priest performed some rites and Nisha was forced to live the world of the living to go to the world of the supernatural until she could find peace for herself somehow. Uncle Vivek and his family decide to move away from Old Delhi to New Delhi to start a new life. So you see the sacred thread saved Uncle Vivek and Anjli even in these modern times.’

After hearing these two incidents Pranali was astonished. She had learned something new about her heritage. Well, well, well Pranlai thought, the mysteries of the Divine increase to amaze me. Who would think a little thread could hold so much power to fight evil and supernatural beings. I cannot wait to see this ceremony.





























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Comments by other Members



JohnK at 07:44 on 22 August 2003  Report this post
Meena -

Two fascinating stories, held together by a thread! I intended to say held together by the invitation to an Upanayanam cerimony, but 'by a thread' fits!

I really liked Pranali's attitude, and what the story tells of her relationship with her mother.

A couple of typos stood out: 'than' instead of 'then' and 'sacred' instead of 'scared'. I hope you don't mind me pointing them out.

For me, the story flows smoothly and the unfamiliar words are neatly explained.

All the best, JohnK.

Meena at 11:15 on 22 August 2003  Report this post
John

Thanks for pointing the typos.I am gald you enjoyed the story.

Best wishes
meena



roger at 12:06 on 22 August 2003  Report this post
Hi Meena,

I thought this was a lovely story told really well. You have a talent for getting your message over. And as John said, the relationship between mother and daughter comes over really well. But for me, possibly because I'm getting old, there was one problem: I felt that the piece would benefit - making it easier on the eye - if you broke it up into more paragraphs, especially where speech is involved...where someone has spoken, it eliminates confusion if you start any verbal response in a new paragraph. Also, I felt you were a bit light on commas here and there. That apart, which is only my opinion, I thought the whole thing worked really well.

Meena at 13:52 on 22 August 2003  Report this post
Hi Roger

When I get some time I will break into paragraphs. Thanks for your thoughts. I am gald you enjoyed the story.

Best wishes
Meena

roger at 14:21 on 22 August 2003  Report this post
It wasn't just the story I liked, Meena, it was the way you told it. The paragraph and comma thing might just be me (like I said, I'm getting old), but even if it's not just me, it's a minor point. You write well, so keep writing. okay?

bjlangley at 14:56 on 22 August 2003  Report this post
Hi Meena, I too enjoyed the tales told within this piece.

I did feel that the first couple of paragraphs weren't up to the standard of the rest of the piece though. Some of the words spoken by Pranali don't seem natural to me "I have saved some money from my evening job at Boots." She's speaking to her mother, who would be well aware of where she worked, and it's not really information that the reader needs to know.


Once you got into these tales it flowed beautifully, and they really sounded like proper legends. Perhaps they would benefit from being broken down into paragraphs, but what is contained within is great.

Nell at 16:52 on 22 August 2003  Report this post
Hi Meena,

I like the way your stories tell me so much about your culture that I wouldn't otherwise have have known - it's a lovely way to learn, and I love too the contrast with tradition and modern life that you describe so beautifully.

As most of the piece is a story that is told verbally it might be helpful if you printed this out and read it aloud just as Pranali's mum is doing. It would help you to find those little places where the special flow of the words falters slightly.

I remember your piece about mixed marriage too, and it strikes me that it would be great to do a series of short stories to teach readers about different aspects of your traditions.

Best, Nell.

Meena at 17:45 on 22 August 2003  Report this post
Nell

Once again thank you for your suggestions. I am also glad that I am able to make people understand the variety and differences of culture and how it fits in todays society. Thers is so much about life which is unexplained and mysterious.But there are stories which exist within families in all cultures which may help us to understand some of the mysteries and life. I am trying to do that.

Best wishes

Becca at 19:47 on 22 August 2003  Report this post
Meena, chudels and wentris, scary stuff! This was fascinating to read, two stories within another story. A writer called Lafcadio Hearn wrote stories of strange things in Japan, they were known as 'Kwaidan.' Using your mother and young woman again maybe you could produce more of these folk stories, perhaps as Nell says above. I agree with Roger about layout, getting it right is important not just for us oldies, but professionalism in layout is vital if you want publishers or agents to take you seriously. All you have to do is pick up any paperback book and produce the same layout as you find there. On this site paragraph indentations don't seem to appear, I don't know why, but if you didn't include them they need to be as well.
Ben says something too that I'd like to enlarge on to do with what you do and don't include; it's a bit of the old 'telling not showing' business, can I give you an example: 'Pranali at this point ..... questioned her mum.' All of that sentence isn't necessary because in your dialogue Pranali says, 'OK. What is an upanayanam ceremony....' So the first sentence when you explain what the girl is thinking is telling the story instead of showing it. If, as Nell suggested, you read it aloud you might spot some things you could do away with.

Meena at 22:32 on 22 August 2003  Report this post
Becca

Again valuable points from you also. I will at some point go back to my stories and incorporate many of the help I have recived from this group. At the moment I just want to write as the words and stories flow into my mind. I am trying to improve my technique and writing as much as I can based on the guidance from this group. Thanks once again.

Meena

Anj at 21:39 on 28 August 2003  Report this post
Meena,

I really enjoyed reading this - as someone above commented, so much I hadn't known, and it's always fascinating to learn about another culture ...

I agree that the opening paragraphs aren't the best - the action doesn't feel quite natural; but you really get into your rhythm when you tell the actual tales, so natural - although the tales are perhaps a little long - certainly, breaking them down into paragraphs would help, and perhaps you could find some way to intersperse some brief mother-daughter interaction to break them down into manageable chunks

I'd agree too with the comments above about showing-not-telling - but I like the little clues you give about Pranali and her circumstances: waiting for A-levels, job in Boots etc; and I'd agree too that the mother-daughter relationship is warm and convincing ...

Regards
Andrea

sudipta at 13:33 on 17 July 2005  Report this post
hi.. this is sudipta from east india.i am a bengali. i underwent kidney transplantation 8 months ago. i would like to share my experiences about the sacred thread with everyone.after my kidney transplantation(kt) i stayed my studies in bombay for 6months to complete my studies. i and my mom were together at that time. after the first month of my kt, a servant came to help my mom.she was from my mom's village. the day she arrived i started feeling as if something was wrong. slowly i started to lose my faith in god. i m a brahmin and was wearing a sacred thread. slowly something made me to take my thread off. something affected me mentally so much that i was forced to take my thread off. from that i am without the thread. there has been times when i want to wear my thread again.the servant went back when we returned to our home town. but i am still without a thread.everybody says that i am changed. i also feel that something bad is going on.i dont know whether it was the servant or it is the evil work of anyone else(i doubt this because my kidney failure was sudden and unexpected). i doubt that somebody is behind all this. well your story has made me believe that something is really wrong here. i will wear my thread again and try to fight back. thank you . u have been a support for a sick person who is very confused.

Meena at 10:01 on 22 July 2005  Report this post
Sudipta

Please put your sacred thread back on as it has powerful mantras and their protection attached to it. It will give you strength and clear vision to cope with your destiny and role on earth in this life.

I firmly believe that there is an invisible energy at work which works for our benefit. As a brahmin you are previliged to have this sacred thread so please wear it again.

I hope life gets better for you and your health improves. Have faith. Faith is what will bring back your confidence and beliefs again.

Please update me about your progress. I will pray to God for you also.

Meena

Meena at 10:03 on 22 July 2005  Report this post
Sudipta

Please put your sacred thread back on as it has powerful mantras and their protection attached to it. It will give you strength and clear vision to cope with your destiny and role on earth in this life.

I firmly believe that there is an invisible energy at work which works for our benefit. As a brahmin you are previliged to have this sacred thread so please wear it again.

I hope life gets better for you and your health improves. Have faith. Faith is what will bring back your confidence and beliefs again.

Please update me about your progress. I will pray to God for you also.

Meena

Meena at 10:05 on 22 July 2005  Report this post
Sudipta

Please put your sacred thread back on as it has powerful mantras and their protection attached to it. It will give you strength and clear vision to cope with your destiny and role on earth in this life.

I firmly believe that there is an invisible energy at work which works for our benefit. As a brahmin you are previliged to have this sacred thread so please wear it again.

I hope life gets better for you and your health improves. Have faith. Faith is what will bring back your confidence and beliefs again.

Please update me about your progress. I will pray to God for you also.

Meena


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