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A Cultural Misunderstanding

by firethorne 

Posted: 26 February 2011
Word Count: 716
Summary: My first try at Flash. Warning : intentionally bad grammar. It's how we talk. Note: most gallery staff are not like this at all.


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It was the longest, cruelest winter on record.

Gabriella Hautington had been dispatched from The Tate Modern to ensure the smooth running of this month’s media event. The local staff had been far too lax. They’d allowed this northern outpost of high culture to become infested.

“If they not buying coffee or spending in the gift shop , they’re out.” Gabriella ordered.

She and Security drove every skiving construction worker and malingering unemployed person from Scourfield’s shiny new municipal temple to contemporary art. They were “out” in the January snow.

“Oh no, here we go again ”, she thought . “Lunch-time at the site next door, and here’s another one. Filthy overalls. Shaven head. Youthful neck already blooming with tattoos.Curled up and stinking like some disgusting stray cat next to our radiators, with his little plastic box of sandwiches. How sweet. “

“You out!” She snapped.

“Why?” he asked.

“Because you’re not supposed to be in here.”

“I were thinking, are these pictures like dead-valuable then like ?” He asked , sitting up and pointing to the long wall of paintings in front of him.

“They’re Jack Almond oil, acrylic and water colour. So yes, they are very valuable,.”

“Why is his work valuable?”

“ Look, I haven’t got time for a silly game, but for your information he’s agreed to his first ever public appearance, and that’s with me. The opening starts in forty five minutes . Mr. Almond is a young, reculsive autistic prodigy . He’s donated this series to us, and ,” she swelled with pride, “I’ve got Adrian Searle to cover, not that you’d know, but Adrian’s The Guardian. In fact there’s going to be all kinds of media and European arts specialists turning up .”

The uber-curator narrowed her eyes , “Look, what’s the point in us talking? I don’t speak plebian and you didn’t understand a word of that did you?”

“So me and my mates can’t come in here again , not even for few minutes, not never?”

“Correct, and absolutely not. New gallery rule . Now please, go out through the main exit and don’t come back in, ever. It’s really very simple.”

“Alrait, the truth love: we’ve got no heaters in our cabins . If our site manager sees us going off- site for too long he’ll dock our wages. So, if we can’t come in here, can we stand by the extractor fan down side of your gallery , please ?”

“No. Get . Out !”


It was minus three and snowing goose feathers against the cabin windows. Too cold for laying bricks . It was bearable for the younger ones like himself, but the old-timers teeth had started chattering and they’d begun hugging themselves to keep from turning blue. A cabin-full of bricklayers and hod carriers were staring at him.

“ She’s a right evil witch. I’m sorry they kicked you out , but I aint never even talked to any of the gallery staff before. Uncle Phil brought my pictures down for them in his trailer last week and they told him , me and any of my mates could definitely go in there, whenever we wanted to, an’ look at ‘em . I didn’t lie to you” Jack glanced nervously at his mates.

There was a chorus of grumbling voices.

“So what you going do lad?”

“Go back in , like it says I’m to, in the gallery letter , at one o clock . I'll try get an' me pictures down off the walls . I just didn’t think they’d nick ‘em off me like that .”

“They’re worse than thieves lad. It’s lying and thievin’. What we taught you eh? You should never trust no one in a suit. ”

“What did you say earlier Jack, summat about a guardian ?”

“Dunno, think they’ve hired this, like , big bouncer to keep us out . Called Hadrian, he is” Replied Jack.

“Don’t worry kid , if he says one word, just one word to you’s , I’ll spark that fecking guardian clown right out , and you can be sure of that . No let’s go and get your pictures back my son . Are you with me lads !” Roared Mad Mickey O’ Collins from the door of the cabin.






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Comments by other Members



tusker at 09:17 on 26 February 2011  Report this post
I really enjoyed this, Andrew.

You've created a very visual scene.

Loved the accent. My daughter's partner is a Geordie so I understood the lingo.

Great ending! That awful woman will be cringing when they get his paintings. It shows how pure snobbery can be inflicted upon ordinary people.

'Called Hadrian.' That mad me laugh.

I don't think you need " Oh no, here we go again..." as she was thinking and you've made that clear.

Jennifer

<Added>

I meant the dialogue " not her thoughts.

V`yonne at 10:37 on 26 February 2011  Report this post
That's very funny Adrian I really enjoyed that
The uber-curator narrowed her eyes , “Look, what’s the point in us talking? I don’t speak plebian

Teehee. I think you could easily get this puiblished you know. Maybe The Pygmy Giant would like it but Short Humour would definitely take it. Neither pays but heck...

Nice writing!

GaiusCoffey at 11:13 on 26 February 2011  Report this post
Hi Firethorne,
Thought I'd come over and browse - sorry I've not got to your chapter in IC yet, running a little short on time lately. As ever, this is just my opinion so ignore anything that isn't useful. I enjoyed the story, and the dialect. The class divide was also nicely done. That said, I've made a few comments below that I think may polish it a bit;

It was the longest, cruelest winter on record.

Gabriella Hautington had been dispatched from The Tate Modern to ensure the smooth running of this month’s media event. The local staff had been far too lax. They’d allowed this northern outpost of high culture to become infested.

Definitely a matter of opinion, but this opening felt a bit "tell". Moreover, I'm not sure you need it to be this blatant - you cover the detail of the cold winter better a little later on. I wonder if, instead, you could open on Gabriella's first line of dialogue? If necessary, you could mention the winter with the January snow that they are "out" in, but you might find it isn't needed.

“If they not buying coffee or spending in the gift shop , they’re out.”

I know you said to ignore the grammar, but the character speaking is Gabriella Hautington and she is doubtless a posh, privately educated young lass. So it clashed with me to have her getting her grammar wrong. Surely, the intention is to highlight the divide by having her get it right and the builders to talk the other way?

“ Look, I haven’t got time for a silly game, but for your information he’s agreed to his first ever public appearance, and that’s with me. The opening starts in forty five minutes . Mr. Almond is a young, reculsive autistic prodigy . He’s donated this series to us, and ,” she swelled with pride, “I’ve got Adrian Searle to cover, not that you’d know, but Adrian’s The Guardian. In fact there’s going to be all kinds of media and European arts specialists turning up .”

The uber-curator narrowed her eyes , “Look, what’s the point in us talking? I don’t speak plebian and you didn’t understand a word of that did you?”

The split is distracting and makes me think that a new character has begun speaking. Therefore, as it is the über-curator talking in both paragraphs, I'd be inclined to join the two together.

Finally, although I like the twist at the end, I'm afraid I was expecting it a little. I'm not sure how you'd go about it, but it may be worth trying to obfuscate and obscure your intention by not being so overt in the opening. That way, the bit at the end will be more surprising and therefore more satisfying as a flash.

But, to reiterate, I did enjoy reading this and I hope some of my comments are useful. As per the above, I feel a bit bad about not getting to read your chapter yet - work permitting, I may have a go at it tomorrow, but I should be working now, so might not...

Thanks for the read,

Gaius


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