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Shaquilla`s Papers - Ch1 [MATTHEW narrating]

by Jibunnessa 

Posted: 04 May 2003
Word Count: 1436
Summary: The narrator here is Matthew.


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Content Warning
This piece and/or subsequent comments may contain strong language.


I was lying on my futon. It was raining outside. I was cold, and the futon was lumpy and thin. And I thought to myself, Matt, you arse hole! She was crying out for help. My help. And I just let her walk off to die. Some grand pact between us! That was my pathetic gesture of friendship. She would send me her manuscript. The story of her life! Before she did it! And I would be the one to ensure her immortality. Her place in the history books! Her little voice.

She never did tell me why she wanted to die. Or what demons she wanted buried with her. For a woman of such sadness, she smiled an awful lot.

The wind was very strong outside. The rain was heavy and smashing against the walls and windows. There was lightening and some loose objects flying around the streets. It was difficult to sleep, and I couldn’t stop thinking about Shaquilla. She told me once that one time when she was in Bangladesh during November, there was a great storm. I don’t know whether it was a typhoon, tornado, cyclone, hurricane or whatever. I’m no expert in turbulent weather. But I remember her telling me about the ripped up trees, the flying corrugated roofs and the dead bloated animals and people washed up on the beaches or stranded on top of trees. I wonder! Perhaps she’s still alive? And may be it’s windy out there too? And she’s thinking about me …listening as she told me the story. The story of the day the lights went out.

It’s been three months. May be she’s still writing. But, why hasn’t she replied to my emails? I wrote as often as I could. I didn’t just forget about her. And in every email, I told her not to do it. I told her to come back and talk to me about it. To talk about whatever’s bothering her. I said that even before she left. She just looked at me and smiled with her very sad, but gentle eyes, and said something about acid corroding the inside of her soul and it being too late.

I should have gone to the airport with her, and even then tried to get her to change her mind. I should have gone with her to her mountain. I should have followed her everywhere like a shadow. Or even better, like the clouds that shroud the mountainside. She talked about them so many times. She was a woman who liked fragments. She found them romantic. Much more poetic than clear blue skies and a complete vista stretching out its every clearly visible detail. I should have been with her. I should have been there. I should have stopped her from dying. I’m the only one who knew. I’m the only one who could have saved her.

But instead, I did nothing. I just respected her wishes and agreed to try and get her story published. So I agreed to try. That was my token friendship.

And in the semi-darkness of my futoned-room, with the world of my imagination churning itself to bits outside, I could see her face gazing up at me. And all that hair. All that long, curly, black hair streaming back over the pillow. She had gorgeous tits. And we made love that one time.

Oh don’t tell me that’s why she wanted to die?

I had no condoms. And she said no fucking without ‘em. But, in the end, I went in anyway. I knew she wanted it. I knew that’s what she wanted. She liked it. She wasn’t upset. She couldn’t have felt violated. She said “NO!” I know. A couple of times. But didn’t try to stop me. Her legs were wide open. She would have closed them if she really didn’t want it. I know she wanted it. I know she enjoyed it. I saw her eyes. I saw her laugh. I saw myself laugh. We both laughed. It was a laugh. We both enjoyed it. I know she really enjoyed it. I know she did.

I was the one who didn’t want things to go any further between us. She did.

Oh my God! You bloody bitch! This isn’t all just because I don’t want to fuck you any more? …Is it?

If you’re still alive, I don’t know if I can ever forgive you for putting me through this. And if you’re not, then why the bloody hell did you have to tell me about your plans? You said you wanted the death to look like an accident. You said you didn’t want anyone to know the truth. Suicide was a very violent act. It would really upset people if they knew. You didn’t want to be remembered as some sad bitch found overdosed on pills. You would be the adventurous woman who went for it. But, unfortunately, fell off the side of a mountain. And I would be the one who just happened to be the friend reading your manuscript for you while you were away. Ready and waiting to thrust it into the world arena. Well, it’s not fucking fair. You didn’t think about me. Did you? You didn’t care that I might be upset. This is your way of making sure I never ever forget you. You want to haunt me forever. You want me to think of you and what I could have done. Or what I should have done… To save you.

Bet you’re having a fucking good laugh about me right now. Doped up to the eyeballs in some ashram somewhere. Or may be in heaven. Looking down on me and thinking the bastard deserves it.

But, where’s the manuscript? You were going to send it to me. In your last email from Calcutta three months ago, you said that you were off to your mountain. You said you were going to write it there and send it off to me before, as you put it, disappearing off the face of the earth. I emailed you so many times after that. So many times begging you to come back. But, nothing. You just disappeared off the face of the earth just like you said. Leaving me with that promise I made you. The promise not to tell anyone. Not a fucking soul.

No one knows anything. I phoned your office. They know nothing. They thought you’d just taken two weeks off to redecorate your flat and then just never came back. The police ask so many bloody questions. May be they think I killed you. I tell them nothing. You asked me not to. But, this wasn’t the plan. You were supposed to have sent me the manuscript. There was supposed to have been a body. Things were supposed to be simple.

Really, really, really painful!

But, relatively simple.

You don’t understand what you’ve done to me. I can’t see or hear or touch or smell or taste or just breathe in anything to do with art or food or film or music or creepy-crawlies or pure maths or poetry or even just the weather outside without seeing your face and those sad eyes sitting strangely with that huge smile of yours.

I would do anything to see you standing outside my door now. Rain soaked. Alive. Just tell me what you want.

It was Darjeeling wasn’t it? Where you were going?

You’re still alive. Aren’t you? You just haven’t finished writing. Okay, we’ll do it your way. I’m coming. You can show me the clouds and we’ll have a long chat and a cuppa tea, and you can tell me all about it!

Just, don’t die on me. I want to see you again. I really, really want to see you again. To know that you’re alright. To hear you stories. To see your face.

Oh my God. That’s what this is all about. You want proof. You just wanna know that I care. Well darling, I do care. You know I do. And, I know you’re alive. And I will see you again. I know I will.

I smiled, I knew she was still alive. All I had to do was go to Darjeeling to find her. I don’t think it’s a very big place. It shouldn’t be that difficult. The weather outside was still turbulent, but I felt calm. Happy. I would go to Darjeeling. I would find her. I would listen. She would realise. She would know just how much she means to me as a friend. There was still time. I can save her. And I will.



---Jib, one evening in December 2000, sat at home in front of my computer. Narrator: Matthew. From: ‘Shaquilla’s Papers’






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Comments by other Members



Glimity at 21:38 on 04 May 2003  Report this post
Hi Jib

Your story has got me hooked and I'm really intrigued to find out whether Shaquilla is really dead or not.

This guy seems to be going crazy with guilt and worry. Their sick plan didn't go accordingly and I'm curious as to what the guy will find when he gets to Darjeeling. If he goes.

I can't really comment on the writing style or form since I'm new to writing fiction myself but with regards to the content, I enjoyed it.

Thanks for the read.
regards
Jennifer

Jibunnessa at 21:59 on 04 May 2003  Report this post
This is good to hear... getting the reader hooked.

What I'd be pleased to hear from people about is:

(a) do you think Matthew is a plausible bloke?

(b) and also what d'ya think about Matthew and Shaquilla having distinctive voices. Distinctive enough?
After all, both narrators are from inside my head.

So, any feedback (especially when I later put up more of Shaquilla's bits and also Uma's stuff too) would be appreciated.

Cheers,
Jib

Becca at 23:46 on 04 May 2003  Report this post
Jibunnessa,
Mat's character comes across strongly,- the way he gets angry with her and wants to blame her for his predicament in the middle of his thoughts, and then towards the end is more pleading, and the way he persuades himself that he hadn't raped her is very realistic. He is definitely one type of bloke who is out there.
I'll wait to hear Shaquilla's voice in bits that follow.
Becca.

Glimity at 01:25 on 05 May 2003  Report this post
Hi Jib

Matthew's character seems very plausible to me. I agree with Becca about him being a type of guy in the real world who rapes someone then convinces himself that he'd "given the lady what she wanted." His voice is very distinctive and also sickening but true.

regards
Jennifer

roger at 08:13 on 05 May 2003  Report this post
Jib, I'm going to stop looking at your stuff because all it does is high-light the weakness in mine. I do wish I could write like you do (literary). Matt comes over as so mixed-up, so many emotions, mainly guilt...is that what you aimed for? Bet it was.

The 'voice' was fine....you can do 'bloke', so yes, he was plausible - very. Oh, and the language was fine, too - it fitted, it's what he'd have said, so no worries there.(so don't worry about what's inside your head - there's plenty of everything).

Super - hate you! (I know you're lazy - proper work on Tuesday nights only - but you really do need to get off your bum and start knocking on agent's doors...do it now, for me. Okay?)

Jibunnessa at 08:46 on 05 May 2003  Report this post
I'm glad you guys have given me the thumbs up on Matthew's plausibility. So really pleased with that.

As for your weaknesses Roger... you humour me Sir! As you well know, I think your stuff is just fab.

"Matt comes over as so mixed-up, so many emotions, mainly guilt...is that what you aimed for? Bet it was."

Whenever I write in the first person, in my head, I become that character. I wasn't so much aiming... I was Matthew writing the thoughts going through Matthew's head.

But, just in case anybody's wondering, I really am nearly all the other time, Jibunnessa, who is a very different person entirely.

Thanks for the positive comments guys,
---Jib


roger at 09:05 on 05 May 2003  Report this post
Jib, didn't mean that in a 'funny' way; you don't have to be conciously 'aiming', but when you've finished, sometimes you realise that that's what you were aiming for, and that's what I meant. Hope that makes sense...I know you 'become' the character, it shows, and that's the difference between you and me and why I wasn't humouring you.

Jibunnessa at 09:16 on 05 May 2003  Report this post
Hey Rog,

Sure. I know what you mean. I suppose I was aiming for him to feel guilty on the page. However, this wasn't really a premeditated thing. As Matthew (inside my head at the time), that's how I was feeling, and so starting with the first paragraph, the rest just flowed out of my head without that much editing.

But, again Rog, I'm a big fan of yours, so more broken cats stuff please!

roger at 09:25 on 05 May 2003  Report this post
Yes Jib, and that's exactly what I meant...for goodness sake pay attention!

Okay, you win....it's on the way.

Anna Reynolds at 13:14 on 09 May 2003  Report this post
I found the style of this piece really interesting- in some ways similiar to poetry, a lot of short sharp sentences like little shocks. Couple of thoughts- still think you need to remove the exclamation mark key from your PC- use it once or maybe even twice in a whole piece or preferably not at all, you can do the same job with the writing itself- and you do that very well. Also, in the paragraphs where you let your sentences flow a little more, they work better for me- draw me in, let me enter the world more. In contrast, using very short sentences in, for eg, the rape paragraph works brilliantly as it conveys the hard, harsh nature of what he's saying. But maybe just have a think about this? Generally, the story is very gripping, you've hooked me into wanting to know more. And although I don't particularly like Matt, that isn't a requirement for me personally to have to like every character, as long as I want to know more.

Jibunnessa at 13:29 on 09 May 2003  Report this post
Thanks Anna. I did actually cut out a lot of exclamation marks that were originally there. But, you're probably right. May be they should all go.

As for the short sentences... they were absolutely deliberate. He wasn't having slow, comfortable flowing thoughts, but confused ones riddled with guilt that kept him awake all night. In short, he was frantic with worry.

I'm glad you found the story gripping and interesting. And being hooked is one of the best compliments, I think. So thank you.

---Jib

Hilary Custance at 21:48 on 17 May 2003  Report this post
Hi Jib, I printed this ages ago and am just catching up on my reading. The thing that I found strongest in this is the way Matthew veers from positive regrets to almighty anger, from humility (not much) to justification. When we cannot act, the mind does this slamming against the blank walls thing, which you showed so realistically. I had no trouble believing in Matthew (but then I'm not a bloke). Looking forward to more, Cheers, Hilary

Jibunnessa at 22:15 on 17 May 2003  Report this post
Cheers Hilary.

Not being a bloke myself... I'm hugely pleased that everyone's finding Matthew a believable character and ...looking forward to reading more of his words. And Hilary, it's always reassuring to hear that I've shown things realistically. So, thanks for letting me know.

I don't know if you've printed out UMA's narrating piece too. But, that's in a very different style. And, I'd be interested to hear what you have to say.

---Jib

geoffmorris at 13:05 on 01 June 2003  Report this post
Hi Jib,

Just got round to reading this one having read the Uma passage. Matthew does come across as a plausible character and the whole convincing himself he didn't rape her thing is very good.

There were just a couple of minor points though I noticed that three words in particular didn't seem to fit the piece or the character. They were turbulent, shroud and corroding. It's knit picking I know but things like that tend to interrupt the fluidity of the piece. To me they really stuck out, they just didn't seem to fit the characters style and language.

Looking back through it again though I'm not sure if the word corroding was hers. The 'I’m no expert in turbulent weather.' could perhaps be changed to 'I'm no weather expert' and the word shroud to something as simple as cover. I hope you don't think I'm being to harsh here. It's just that I find fluidity in a piece to be all important.

How much have you written so far? Is it anywhere near finished?

Jibunnessa at 13:30 on 01 June 2003  Report this post
Hi Geoff,

Thanks for your comments. I'm glad you found Matthew plausible.

As for your fluidity comments, I don't think they're harsh really. I can see that the words could stick out as out of character for a Matthew that you might have pictured from reading the piece. But he's far from uneducated. There's more to him than this piece gives away.

It's NOT nearly finished though. I'm quite happy to take 20 years to finish it if necessary. I can't devote all my time to writing, unless a publisher gave me an advance on the basis of what I've done so far. And they don't tend to do that nowadays.

Cheers,
---Jib

Nell at 20:44 on 17 July 2003  Report this post
Hello Jib,

I'm arriving late to this and it's already been well-commented upon. I'm hoping I'm at the very beginning with chapter one and there's no prologue - there are advantages in coming late and being able to read right thorough a number of chapters.
I found Matthew's voice convincing and the piece gripping - it really makes one want to read on - exactly what a first chapter should do. Off now to chapter two!

Best, Nell.

Jibunnessa at 19:39 on 20 July 2003  Report this post
Hi Nell,

So glad you found this gripping. And, as a woman writing in a man's voice, it's really great that you all seem to find Matthew a convincing bloke.

Cheers for your comments,
---Jib

kmerignac at 22:30 on 19 August 2003  Report this post
Jib,
Reading this, as you suggested, having read the itching one! And it's probably quite an important installment, so thank you for the pointer!
Matthew comes across very well, as does his confusion as to what's going on. There are enough hints to a larger plot as to make the reader want to know more (ie keep on reading!) - is she dead? and why sould she be dead? etc - which is really good.
The rape scene is a bit cringy, but it's probably supposed to be, and so very effective. Makes you wonder just what is going on between them, and I look forward to reading more!
(By the way, I'm a bit of ! freak too, and it's hard to get rid of them sometimes isn't it, but she's quite right!)
Yours, Kate.


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