Highlights of the HNS conference
This was my first HNS conference and I was unsure of what to expect and as a newbie was rather nervous about meeting people. I needn’t have worried.
Highlights included Conn Iggulden’s keynote address and Lindsey Davis in conversation with Jerome de Groot.
A key part of the Society’s remit is to encourage writers of historical fiction, and two awards were given during the conference.
Elizabeth Chadwick presented the inaugural HNS Indie Award to Linda Proud for
A Gift for the Magus.
The HNS Short Story Award for 2014 was presented by Ian Skillicorn (founder of Short Story Week) to Lorna Fergusson for Salt
I’m hoping that an ebook of the 2014 shortlisted stories will be published, like the 2012 entries were as The Beggar at the Gate & Other Stories.
The panel sessions were in turn informative:
(Selling Historical Fiction: the challenges and triumphs with Matt Bates, Carole Blake (CHAIR), Katie Bond, Nick Sayers, Simon Taylor, Susan Watt) - how important the book cover is.
fun: (‘My Era is Better than Yours’ with Angus Donald (Medieval), Suzannah Dunn (Tudor), Antonia Hodgson (Georgian), Giles Kristian (Viking & Civil War), Harry Sidebottom (Ancient Rome), Philip Stevens (CHAIR)) - Vikings had big axes.
thought provoking: (Freedom, Independence & Equality: Tackling the big issues with Emma Darwin, Elizabeth Fremantle, Margaret George, Douglas Jackson (CHAIR), Andrew Taylor, Robyn Young) - Margaret George refers to her novels about famous women in history as ‘psycho biographies.’Read Full Post
Literary Dementia: novels by Emma Healey, Fiona McFarlane, Julie Cohen and Michael Ignatieff
With Alzheimer’s research in the news again lately, I thought I’d better knuckle down to my much foreshadowed post on literary dementia. For readers and writers who are wary of fictional old age, the spectre of dementia might seem a definite no-no. Yet there’s so much potential in the condition for creative exploration and expression: the poignancy of loss; the enigma of memory and identity; the frustrations experienced by family and other carers; even, for those who can achieve the right tone without denigration, humour. So it’s heartening to discover young women writers who are addressing these themes in their debut novels: Emma Healey in the UK with Elizabeth Is Missing, and Fiona McFarlane in Australia with The Night Guest. I thought I’d draw on those novels, along with two less recent novels from more established writers, Getting Away With It by Julie Cohen and Scar Tissue by Michael Ignatieff, to explore fictional representations of dementia.Read Full Post
Before all Liverpool fans hit the delete button let me explain that I am from the blue three-quarters of Manchester and share your antipathy towards the club from Salford (hereinafter called the CFS).Read Full Post
“If we want things to stay as they are, things will have to change.”
It is no coincidence that in Italy priorities for the good of the nation are undermined through a variety of local or collective identities.Read Full Post
Historical fiction - a list of 50
Next week, between 5 and 7 September, I’ll be attending the Historical Novel Society’s conference in London.
So, for this post, I thought I’d take a look at a list of historical fiction books, from Abe Books.
In her introduction to 50 Essential Historical novels, Lily King admits that ‘The books listed below include examples of historical fiction by the strictest of definitions, as well as those that fudge the rules a bit - or a lot.’
Of the list of 50, I’ve only read three:
‘I Claudius’ by Robert Graves
‘The Name of the Rose’ by Umberto Eco
‘A Tale of Two Cities’ by Charles Dickens
Although I haven’t read the following on the list ‘Waverley’, ‘The Night Watch’, ‘The Other Boleyn Girl’ and ‘Bring Up the Bodies’, I have read other historical novels by their respective authors, Sir Walter Scott, Sarah Waters, Philippa Gregory and Hilary Mantel.
Those on the list which do appeal to me, and will be added to my ever expanding ‘to read’ list are:Read Full Post
The tragedy of obedience: The Good Children by Roopa Farooki
What do you understand by the term “a good child”? Does it imply a particular proficiency in getting up to mischief and other childish things? Or does it mean, as for the Saddeq children growing up in Lahore in the new nation of Pakistan, suppressing their own inclinations and desires in favour of their mother’s strict demands. In a divide-a-rule regime reminiscent of the British Raj, the boys, Sully and Jakie, are destined to be doctors, their learning beaten into them by a tutor they nickname, appropriately, Basher, while the girls, Mae and little Lana, hug their mother’s shadow, dressed up like dolls in scratchy frilly dresses unsuitable for the suffocating heat. Until the day they can escape their manipulative mother through marriage for the girls and education abroad for the boys, they have no choice but to comply.Read Full Post
Create a plan to stick to.
TWO BOOKS A MONTH ULTIMATE GOAL:
Write a new short story collection AND a novella each month.
Publish them ‘as and when’ the following month - but have them ready.
WRITE A NOVELLA EACH MONTH.
For me, these will be my longer short stories - if I can bash out 10,000 words in a week for a first draft then great - but at this moment in time I am aiming to get into the routine of writing this way, more than a set amount of words each day. I feel I should be trying to write as many words as necessary to complete the short story first draft during the first full week of each month. I do not want to overcomplicate things by adding word count goals at this stage. Although, having said that, if I am writing for a call for submission, then I will know exactly what word count I need. But for now, I will keep it simple and break my one big monthly goal down into 4 or 5 week stages.
FOR THE NOVELLA:
Week 1: The Planning and Research Stage (June 01 Only one day this month!)
First few days of the month until the next Sunday
Week 2: The Complete1st Draft Stage (June 02 – 08)
First full week of the month
Week 3: The Editing Stage (June 09 – 15)
Second full week of the month
Week 4: The Book Design and Final Edits Stage (June 16 – 22)
Third full week of the month
Week 5: The Publishing or Submission Stage (June 23 – 30)
Last few days of the month from Monday until the first of the next month,
This may run into the following month - but the bulk of the work is ready for submission or publishing.
Of course these are only guidelines, but the better I can stick to them at the beginning of the month, in the early stages, the more time I will have for the final edits and publishing stage.
Anyone want to join me? Sunday is June 1st, my first challenge day. I'm rather excited about it.
PART TWO COMING TOMORROW...
Let the CHALLENGE Begin...
I’m creating this blog to challenge myself to see if I can write a book a month, or even a week. I am not talking about full size novels here (it took me a good 8 months to get my 70,000 novel to my publisher). No, I’m talking more novellas and short stories. In some cases a collection of very short “flash fiction” stories.
My goal is to first work out if this is possible by trying out a few techniques and I will share my experiences along the way.
Apparently, if we put our minds to something we can achieve it and that’s exactly what I intend to do here. I know I have set goals before and succeeded, therefore I know I have the capability to do this. The main thing (and quite often the hardest to do) is to remain hungry enough want to reach the end of the goal; to keep up the momentum and let nothing else stand in your way until achieved.
If this challenge I’ve set myself works, I hope to have a super-duper long backlist and will be able to supplement my day job’s income. If not, the worse case scenario is not so bad. I will at least have a larger back list than when I first started this project.
Time to knuckle down and take the first baby step of this challenge.
1. To write a plan of action.
Pointeso Art Scene: Agent A
An agent on mobile walking through Athletico international airport.
'Eh...what? Yah, yah...I'll be at The Vascov around 10.30ish...yah..erm well Marcia said she'll keep tabs on that one...yap...ten installations have sold but we need to start the marketing campaign for Aimii Slite...yap...well say something along the lines of liminal spaces, the domestic, duality, tacit and all that shite - she's a photographer...her father...yap...he's chief exec at Zennels Corps...ha ha...she's lovely - just finished at Novia Art College but is moving to Pointeso...it's a no brainer...look, I'll be on the 8.30 plane so will meet you at Kane's bar at Pointeso airport...no shit? Ok...include networking and mentoring and don't forget to mention 'The rural' that always looks good on the evaluation...'
The voice fades as the figure moves through the crowd towards gate 195.
Read Full Post
Pointeso Art Scene: Maitvale Workspace.
Get on down to outer Pointeso this weekend for the latest opening at the Maitvale Workspace.
Hala Koinstraad continues her gathering of post sonic deviations comprising of a new collection detailing radio waves gleaned from the municipal city of Bayerns over the last twenty years.
Every new artist based at Maitvale is paired with a mentor who they meet with up to six times during their tenure. They have continuous access to specialist support from Maitvale staff and the selected programme facilitator during the year.
Maitvale Workspace director Polly Sylvester: 'We position ourselves in an 'exclusive inclusive' bracket so to speak. Whilst recognising that the Pointeso Art Scene is highly competitive, we offer our artists a bespoke package fusing cognitive science with cutting edge resources and strict emphasis on long game career development.'
Read Full Post
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