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19 Nov

Theatre Royal Stratford East are inviting submissions of exciting plays running an hour or less, for a programme of rehearsed readings. Click here for details.

Econsultancy are on the hunt for a blogger/writer to write articles and blogs, conduct interviews and attend industry events. Click here for details.

Writing West Midlands Short Fiction Competition 2013 is open for submissions of stories under 1800 words, on the theme of 'Travel'. Click here for details.

Birkbeck College, University of London, are looking for an Associate Lecturer for the MA in Creative Writing. Click here for details.

To search the full range of Jobs and Opportunities on WriteWords, click here.

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12 Nov

A good link if you're having the wobbles:

http://www.writewords.org.uk/forum/65_428143.asp

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12 Nov

A hardy perennial question from anyone submitting work to publishers and agents for the first time.

http://www.writewords.org.uk/forum/48_425967.asp?spage=1


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10 Nov

We asked WW member kabclarky to tell us about her experience of putting her work on Kindle;if you'd like to tell us about your experience of Kindle/Amazon/self-publishing or similiar, wwmail Anna Reynolds or join the discussion.

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5 Nov

News from the WriteWords Directory is that agent Andrew Lownie has appointed David Haviland to handle fiction.

Andrew Lownie is a longstanding and well-known agent for a wide range of non-fiction, and this is a new departure for the agency; David Haviland is now actively seeking submissions to build up the list.

More details of the agency here, and Andrew's interview with WriteWords is here.

Andrew is often to be found at writers conferences, and his website has excellent articles for aspiring writers, as well as all the information you need about who the agency represents, and how to submit work.

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29 Oct

What writers say about what we all do can be such a help - or comfort -  or just produce a wry grin: great quotes about writing here. Do drop by and add your own...

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22 Oct

A fascinating thread over in the Technique forum, on just how exactly you locate point-of-view in what a character sees or perceives -

http://www.writewords.org.uk/forum/65_425984.asp?spage=1

- and, indeed, whether fussing about this stuff matters anyway.

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15 Oct

They're big-time dealers in stolen goods, says Danuta Keane - the goods being our writing, and the living we need to earn from it. Of course each of us has the right to give our work away for free if we want to. But that's our decision, and no one is entitled to make it for us. 

Keane is a much-respected commentator on the worlds of publishing and journalism, and when she decides to research something, she does her homework:

Contrary to popular belief, illegal file-sharing sites are not shoestring operations run by penniless kids. They require vast servers to host stolen content. They also require huge bandwidth to handle the illegal downloads. Even start-ups – let’s call them small town dealers – need computer equipment, software and broadband services that cost considerable amounts of money. To pay for their operations, traffickers use two revenue models: paid-for premium subscriptions that enable faster downloading; and display advertising – often supplied through Google Ads – which appear as content downloads.

The revenue raised is eye-watering...  [including] a Rolls-Royce Phantom (list price £250,000 to £300,000) bearing the number plate ‘GOD’.

Not surprisingly, this apparent bravura display ... is not among propaganda spouted when the Open Rights Movement – as the loosely affiliated group of internet activists and online corporate interests who backed the Wiki blackout style themselves – lobbies governments, and that includes our own and the EU. Instead, they prefer to put about the myth that traditional creative businesses – film companies, book publishers and record company executives – are the greedy exploiters in this market.

Keane's full article, researched for the ALCS news, is here, and it includes details of what can be done to help the fight by anyone who doesn't want a literary culture filled only by writers who can afford to work for free because they've inherited, married or acquired money by some other means.

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11 Oct

WW members have got together and formed a new group for anyone who teaches Creative Writing, with the aim of sharing experiences and advice. Click here to sign up

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10 Oct

Do you find it difficult to explain to your nearest and not-always dearest how the writing world works? Even if they understand that you're trying to do something you love seriously, it can be very hard to explain why, when your gorgeous novel has just been published by a tiny press, or even by yourself, you can't just "Get The Times to review it", still less "Get a movie made".

So it would be handy, wouldn't it, to have a few places to go, to find explanations and reality checks: then you can produce them at those winter parties (notice how I'm avoiding the Ch-word) , when all those loving rellies ask when they'll be able to see posters for your book on the Tube.

Help! I Need A Publisher: http://helpineedapublisher.blogspot.co.uk/

Andrew Lownie: http://www.andrewlownie.co.uk/articles

Stroppy Author's Guide to Publishing: http://stroppyauthor.blogspot.co.uk/

This one's  American, so if you're in the UK you may need a bit of a filter for that, but the basic structure of the industry isn't so different, and nor is the author's experience within it:

Rachelle Gardener: http://www.rachellegardner.com/

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